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The Thaw

by Deborah Carrick

 

The woman has a white bird hanging from her neck, pulling down her head. Thick red hair falls over her bare shoulders like a frozen stream of blood. The bird looks away from her. He should be flying and living in the air but for some reason they are locked together here in partnership. He's been suspended from her neck throughout the winter.

 

They exist in a dark, snowbound hut. The only warmth is generated by their own bodies. Sometimes the woman grows cold and draws warmth from the bird; sometimes he shivers and tightens his grip on her skin. They have both forgotten many things.

 

The woman can't remember how the bird arrived with the first snow, a shadow blown through the door during a gale. The bird can't remember how he attached himself to the woman with an unnatural desire to suckle. Neither of them knows the intention of the force that brought them together and has left them so.

 

The days are beginning to grow longer. The sun rises in a higher arc over the land. The snow melts a little by day but still freezes hard at night. The moon looks down with a cold face.

 

The woman has forgotten about the moon. As her head is always pulled downwards by the weight of the bird, it is many months since she has been able to raise her eyes to the window of the hut. But sometimes the bird can see the moon. He keeps his head turned towards the window and watches its path across the sky. One night he is disturbed by the sight of a full moon, enlarged and glowing red.

 

The woman senses the bird's fear. She can feel his heart hammering against her breast. She tries to raise her head but she is too weak: all her strength has been drained away by this long winter with her head held down. She has forgotten about her arms, her hands. Only now does she remember that she can lift the bird and then she might be able to raise her head.

 

The bird feels the woman slide her hands under his body. They are ice cold and the bones of her fingers feel like broken twigs. But they lock together and the bird realises that the woman is supporting his weight. He is wary of this change. He can't remember how he once had the freedom to survive without the woman; his body has been frozen in a hanging position for too long. He snaps his head upwards and tries to peck her pale face.

 

The woman jerks back her head to avoid the jabbing beak but it catches her cheek and draws blood. She is about to curse the bird when her eyes are caught by the window and the great red moon glowing behind it.

 

Her memory is ignited, burning with images of a life she had before arriving at the hut, before the bird came and clung to her neck. She tingles with shock. Her hands drop to her sides and then rise in the air.

 

The bird, unsupported, falls from her neck. Instantly he remembers that he has wings and can hover in mid-air. He quivers with shock.

 

Separated, they both fight to leave the hut. Red hairs and white feathers whirl around them as they struggle frantically towards the door, but it's still stuck fast by the ice. The red moon may look warm but it casts no heat. Their frustration turns to rage and, as there is no one else, they turn against each other.

 

The woman glowers at the bird with resentment verging on hatred. After all, it was the bird who trapped her here, giving her nothing but meagre warmth. She spits across the hut at his black eyes.

 

The bird feels that the woman is to blame. She needs his warmth and now she has turned on him, her face growing as red as her hair, redder than the moon. He flies at her and tries to peck at her soft neck.

 

Locked together in battle rather than dependence, they both realise that they are alive and individual. The fight becomes play. The bird glances off the woman when he flies at her, his feathers tickling her flesh. She tries to fend him off with her hands, but for the first time all winter her throat contracts and a sound escapes. To the bird it is a call of identity which he answers with a shriek. Tears begin to trickle down the woman's face: she feels as if a frozen part of herself has begun to thaw.

 

Neither of them has seen the moon fade and the sky flood with dawn light like warm milk. Neither of them sees the sun rising, pouring strong but gentle heat over the land and freeing the ice. It's only as the woman staggers backwards and falls against the door that it bursts open. A spring day washes into the hut.

 

Light, air and warmth overwhelm the woman and the bird. They both hurtle through the opening, squinting and unsteady, but come to a halt and turn to each other. The woman wants to embrace the bird, he wants to jump to her neck and hang there again. But neither of them can move now. It seems that one of them must go, and one must allow the other to leave.

 

The bird begins to taste salt in the air. A tide of memory overcomes him like the push and pull of waves over stones. He only allows himself to be drawn away from the woman by the life he once had: then he was dependent on the sea but, unlike the woman, it asked nothing of him.

 

The woman watches the bird take flight, becoming a white shape as it slips away from her and diminishes towards the horizon. She finally turns and begins to tread over the melting snow. Her gaze is fixed on the upward curve of the land ahead. She never sees the drops of blood that mark her trail, red on white, dissolving with the thaw.

 

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